From Work Grew Friendships
The staff of "sample hands", consisted of a half dozen,
mostly German women, who were wonderfully skilled in their craft.
Jeanne respected their talents and grew very fond of them. They
didn't come and go like some other positions at Sportwhirl; some
sample makers were there even longer than Jeanne.
Serving as her "right hand" was the job of Jeanne's assistant.
The array of (mostly young women) assistants Jeanne had over many
years, were of varying talents. Some were models that were eager
to learn on the job, and others were so good that they even went
on to become successful designers on their own. Assistant designers
such as: Lili Whitmer, Brita Szytbel (from Finland), Jan MacDonald
(from England), Lee Shull, Cathy Ferro, and Jane Zemba all remained
in touch after employment at Sportwhirl had ended. Working with
Jeanne was very demanding, but was a learning experience, and most
developed a close friendship with her.
Taking a personal interest in all aspects of the firm, on a couple
of occasions, Jeanne even decorated the Sportwhirl showroom with
cheerful storybook illustrations.
Jeanne frequently distinguished herself by reinventing older classic
fashions. The American Fashion Critics jury gave Jeanne one of
the Coty Awards in 1955--an award bestowed for outstanding contributions
to the field of American design. She was particularly cited for
her dress-length sheath, which was adapted from the classic cardigan
sweater. Due to popularity, Jeanne had to bring the sheath out
season after season, in dozens of materials from linen to velvet,
including a horizontally striped cotton knit jersey inspired by
her husband's knit ties.
Sportwhirl was very proud of their designer, and in 1955 they
created a special retailer's folder touting her achievements for
their firm which included the Coty, the fashion world's most coveted
honor, and the cover of Vogue. But the awards and magazine features
didn't end there.
In 1958, Jeanne was honored with the Sports Illustrated's "American
Sportswear Design Award". This "Designer of the Year
Award", was dedicated "To the women's sportswear designer
who, during the past year, has made the most significant contribution
to American sportswear through a specific collection, idea, or
innovation."
In Eugenia Sheppard's "Inside Fashion" column for the
NY Herald Tribune (May 30th, 1958) she wrote about Jeanne receiving
the Sports Illustrated award, "Jeanne's young, inexpensive
clothes have worldwide distribution. Look for them under a Sportwhirl
label. She has the same endearing modesty that made Claire McCardell
a great person as well as a great designer."
Travel was very important to Jeanne, and she saw most of the world.
Getting to see the Paris pret-a-porter lines and excursions to
Finland, Italy, and other cultural European cities were invigorating.
In later years, trips to India and British Hong Kong became necessary
to oversee the production of block printed wrap skirts and cashmere
sweaters for example. Warm, sunny locations like Mexico, the British
West Indies, and the Caribbean re-fueled her with their bold, bright
colors.
Jeanne was a proud member of The Fashion Group International,
Inc. for many years. The FGI is (http://www.fgi.org/)
a non-profit organization, founded in 1928, of fashion industry
professionals providing a forum for contemporary fashion issues,
promoting fashion, and providing networking skills and contacts.
Through this, she received their newsletter, was invited to benefit
galas, fashion presentations, Fashion Group luncheons, shared ideas,
and met other professionals in her field. |